Italian Baroque Era Painter, ca.1571-1610 Italian painter. After an early career as a painter of portraits, still-life and genre scenes he became the most persuasive religious painter of his time. His bold, naturalistic style, which emphasized the common humanity of the apostles and martyrs, flattered the aspirations of the Counter-Reformation Church, while his vivid chiaroscuro enhanced both three-dimensionality and drama, as well as evoking the mystery of the faith. He followed a militantly realist agenda, rejecting both Mannerism and the classicizing naturalism of his main rival, Annibale Carracci. In the first 30 years of the 17th century his naturalistic ambitions and revolutionary artistic procedures attracted a large following from all over Europe.  Related Paintings of Caravaggio :. | Maltiden in Emmaus | La Diseuse de bonne aventure | The Conversion on the Way to Damascus (detail) | Johannes der Taufer | Youth with a Flower Basket |
Related Artists:
Seymour Joseph Guy
1824-1910
Jean Francois de troy
French Neoclassical Painter, 1679-1752 was a French Rococo painter and tapestry designer. He was one of a family of painters, being the son of the portrait painter François de Troy (1645-1730), under whom he first studied, and at whose expense he went to Italy 1699-1706, staying in Rome, but also visiting many north Italian cities. Jean François de Troy was born on January 27, 1679 in Paris. The successful career of Jean François de Troy was based initially on large historical and allegorical compositions, such as Time Unveiling Truth (1733) in the National Gallery, London, but he is now most highly regarded for his smaller and more spirited scenes of elegant social life. They are among the best of those that rode on the wave of Watteau's success indeed The Alarm, or the Gouvernante Fidele (Victoria and Albert Museum, London, 1723) was attributed to Watteau in the 19th century. A versatile artist, he made tableaux de modes famous, painting histories and mythologies in a colourful and fluent manner which owed something to both Veronese and Peter Paul Rubens. He undertook commissions for Versailles and Fontainebleau between 1724 and 1737, and designed two sets of tapestries for the Gobelins, each of seven subjects, the Histoire d'Esther (1737-40) and the Histoire de Jason (1743-6).
Henri Matisse Prints
French Fauvist Painter and Sculptor, 1869-1954 Henri Matisse (31 December 1869 ?C 3 November 1954) was a French artist, known for his use of colour and his fluid, brilliant and original draughtsmanship. As a draughtsman, printmaker, and sculptor, but principally as a painter, Matisse is one of the best-known artists of the 20th century. Although he was initially labeled as a Fauve (wild beast), by the 1920s, he was increasingly hailed as an upholder of the classical tradition in French painting. His mastery of the expressive language of colour and drawing, displayed in a body of work spanning over a half-century, won him recognition as a leading figure in modern art. Around 1904 he met Pablo Picasso, who was 12 years younger than him. The two became life-long friends as well as rivals and are often compared; one key difference between them is that Matisse drew and painted from nature, while Picasso was much more inclined to work from imagination. The subjects painted most frequently by both artists were women and still lifes, with Matisse more likely to place his figures in fully realized interiors. Matisse and Picasso were first brought together at the Paris salon of Gertrude Stein and her companion Alice B. Toklas. During the first decade of the 20th century, Americans in Paris Gertrude Stein, her brothers Leo Stein, Michael Stein and Michael's wife Sarah were important collectors and supporters of Matisse's paintings. In addition Gertrude Stein's two American friends from Baltimore Clarabel and Etta Cone became major patrons of Matisse and Picasso, collecting hundreds of their paintings. The Cone collection is now exhibited in the Baltimore Museum of Art. His friends organized and financed the Acad??mie Matisse in Paris, a private and non-commercial school in which Matisse instructed young artists. It operated from 1911 until 1917. Hans Purrmann and Sarah Stein were amongst several of his most loyal students.